Rummaging through a closet in the attic a few days ago,
I unearthed some fashion magazines of the summer of 1908
and was astonished to discover that since that short time ago,
women have apparently changed the form of their bodies and
the shape of their faces, as well as the style
of their gowns and their hair dressing.
Summer Afternoon Dress
Maison Agnes Les Modes
(July 1908)
Photo by Henri Manuel
Perhaps the pensive lines and die-away expression of the faces
in the old-fashion plates were due to the tightly drawn-in waists and
the overdrawn-check effect of the choker collars, or it may be that
faces with such an expression just naturally called for that style of dressing.
However that may be, a comparison of those fashions with the easy,
comfortable styles of this summer, which give beauty and grace of line
with freedom of movement and plenty of breathing room, is enough cause
for celebrating a special Thanksgiving Day months ahead of the regular time.
There is still room for improvement in children's clothes. They are much too
fussy to be either beautiful or becoming. Why trouble with fancy, changeable
children's styles? There will be plenty of time for them to learn all the
vanities of dress later, and it is better to keep them
simple and sweet as long as possible.
It would do away with a lot of needless bother and vexation if we copied
the English in their way of dressing little girls as their mothers were dressed,
in the same kind of simple little smock frock.
Fashions in other things than clothes have been and are still being simplified
for the sake of more economic production, thus lessening the cost of
manufacturing by saving time, labor, and material.
Furniture makers cut down the number of their patterns several hundred
percent during the war, cutting out just that many varieties of furniture.
This was done on the advice of the War Industries Board to reduce the cost
of production and save materials and labor for other work.
It was found to be such a benefit that it has been decided
It was found to be such a benefit that it has been decided
to keep on in the same way, and so we shall have
fewer styles in furniture.
In the hardware trade the same plan is being used .
There are something like 4,450 fewer styles of pocket knives
There are something like 4,450 fewer styles of pocket knives
for Johnnie to buy and lose than there were before the war,
but it does seem that he should be able to please himself
but it does seem that he should be able to please himself
by a choice from the 250 kinds left him.
There used to be 207 kinds of lawnmowers. Now there are only six.
This number does not include the regular mowing machine which the
Man of the Place uses so effectively in the front yard nor the pet colt
who mows the lawn and puts the clippings to such good use.
The idea of doing away with useless, unnecessary things is at work in
architecture also in the planning and building of houses, so that we are
hearing a great deal these days of the dining room-less house.
The dining room, if kept strictly as a dining room, is used for only a few
minutes three times a day which is not enough return for the work and thought
and expense of keeping up an extra room. The fact is that most dining rooms
are used by the family as a living room as well, and so in the new plans,
the rooms are frankly combined into one.
Sometimes where the kitchen is large, it is the kitchen and dining room
and many steps are saved. Either of these combination rooms may be made
very attractive and have been in small houses where people did not
wait for it to become a fashion.
Everyone is complaining of being tired, of not having time for what
they wish to do. It is no wonder when they are obliged to pick and choose
from such multitudes of thoughts and things.
The world is full of so many things, so many of them useless, so many,
many varieties of the same thing creating confusion and a feeling of being
overwhelmed by their number. It would be a wonderful relief if, by
eliminating both both wisely and well, life might be simplified.
From left to right: Carrie, Mary, and Laura Ingalls
in a photograph taken shortly after the Hard Winter of 1881.
"Simplify, Simplify"
(July 1919)
Laura Ingalls Wilder
(1867-1857)
Prolific American writer
of the "Little House" book series.
An essay taken from the book,
"Little House In The Ozarks"
A Laura Ingalls Wilder Sampler
The Rediscovered Writings
Edited by Stephan W. Hines
Guideposts Edition
(1991)
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